{"id":27,"date":"2020-03-30T18:50:00","date_gmt":"2020-03-30T18:50:00","guid":{"rendered":"http:\/\/peterszabina.com\/?page_id=27"},"modified":"2026-03-13T17:48:22","modified_gmt":"2026-03-13T17:48:22","slug":"cv","status":"publish","type":"page","link":"https:\/\/peterszabina.com\/hu\/cv\/","title":{"rendered":"CV & BIO"},"content":{"rendered":"\n

1987-ben sz\u00fcletett \u00d3zdon, audiovizu\u00e1lis m\u0171v\u00e9sz, fotogr\u00e1fus, eszt\u00e9ta. Jelenleg els\u0151sorban a multim\u00e9dia, az install\u00e1ci\u00f3s, fot\u00f3- \u00e9s vide\u00f3m\u0171v\u00e9szet, valamint az elektronikus zene ter\u00fclet\u00e9n alkot. 2020 \u00f3ta a blanche the vidiot<\/em> \u00e9s a dj goodbye<\/em> tagja.<\/p>\n\n\n\n

blanche the vidiot https:\/\/project-blanche.com\/<\/a><\/p>\n\n\n\n

dj goodbye https:\/\/on.soundcloud.com\/BAoLm<\/a><\/p>\n\n\n\n

akad\u00e9miai tev\u00e9kenys\u00e9g https:\/\/independent.academia.edu\/SzabinaP%C3%A9ter<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Tags\u00e1g<\/strong>: <\/p>\n\n\n\n

2025, Magyar Fot\u00f3m\u0171v\u00e9szek Sz\u00f6vets\u00e9ge<\/p>\n\n\n\n

2025, Magyar Filmm\u0171v\u00e9szek Sz\u00f6vets\u00e9ge<\/p>\n\n\n\n

<\/p>\n\n\n\n

D\u00edj<\/strong>: 2025, 44. Magyar Filmszemle, k\u00eds\u00e9rleti filmes kateg\u00f3ria k\u00fcl\u00f6nd\u00edj<\/p>\n\n\n\n

<\/p>\n\n\n\n

Projektek \/ Ki\u00e1ll\u00edt\u00e1sok \/ vet\u00edt\u00e9sek<\/h3>\n\n\n\n

2026, Reinventing Moholy-Nagy<\/em>, Magyar Fot\u00f3m\u0171v\u00e9szek Sz\u00f6vets\u00e9ge, Collegium Hungaricum, Berlin<\/p>\n\n\n\n

2026, Echoes: Joy<\/em>, Meno Parkas Gallery, Kaunas, Litv\u00e1nia<\/p>\n\n\n\n

2026, blanche the vidiot: \u00e9l\u0151<\/em>, kur\u00e1tor: Sz\u00e9plaky Gerda, FUGA, Budapest<\/p>\n\n\n\n

2026, ecoSYNTH\u00b2 \u2014 Living Interfaces<\/em>, Vorspiel \/ transmediale & CTM 2026, TOP e.V , Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2026, 45<\/em>. Magyar Filmszemle, k\u00eds\u00e9rleti \u00e9s vide\u00f3klip versenykateg\u00f3ria, Corvin mozi, Budapest<\/p>\n\n\n\n

2026, Live Soundtrack official selection<\/em>, Belgr\u00e1d, Szerbia<\/p>\n\n\n\n

2025, Under Szubcult online<\/em>, 2025-12-19<\/p>\n\n\n\n

2025, The 2st International Anarchist Fireplace Film and Video Festival<\/em>, Dobozi21, Budapest<\/p>\n\n\n\n

2025, 30 \u00e9v \u2013 ArtColony Cered<\/em>, RE\u00d6K, Szeged<\/p>\n\n\n\n

2025, 21. Feh\u00e9rv\u00e1szon F\u00fcggetlenfilm Fesztiv\u00e1l<\/em>, Sz\u00e9kesfeh\u00e9rv\u00e1r<\/p>\n\n\n\n

2025, United in Spirit – Art without Borders, 30 years of ArtColony Cered<\/em>, Neumarkt Artist Village, Ausztria<\/p>\n\n\n\n

2025\/2026, Ghosts in the Machines<\/em> online and offline pavilion at The Wrong Biennale, curated by Matteo Campulla, Visualcontainer[.Box], Mil\u00e1n\u00f3, Olaszorsz\u00e1g<\/p>\n\n\n\n

2025\/2026, Artificial Lines of Flight<\/em> online and offline pavilion at The Wrong Biennale, curated by Isil Ezgi Cel\u00edk, capitArt-X, London HOXTON (London) and Colbea Center (Colchester), UK<\/p>\n\n\n\n

2025\/2026, Fragility in the Eye of the Beholder <\/em>online and offline pavilion at The Wrong Biennale, curated by Olesya Ilenok and Andrey Chugunov, Glasgow, Aberdeen, Sk\u00f3cia<\/p>\n\n\n\n

2025\/2026, The Distance of The Blue<\/em> online pavilion at The Wrong Biennale, curated by Ping Ho, Millenium Film Workshop, New York, USA<\/p>\n\n\n\n

2025\/2026, AI ID<\/em> online pavilion at The Wrong Biennale, curated by Karolina Maliszewska<\/p>\n\n\n\n

2025, Resonant Ecologies<\/em>, Swiss Society for Acoustic Ecology, murmurcontemporary, Montreaux, Sv\u00e1jc<\/p>\n\n\n\n

2025, Art Market Budapest 2025, Magyar Fot\u00f3m\u0171v\u00e9szek Sz\u00f6vets\u00e9ge, Moholy-Nagy 130 \u2013 Bauhaus, Budapest<\/p>\n\n\n\n

2025, 29. Videomedeja Festival <\/em>competition program, Cultural Station Svilara, Novi Sad, Szerbia<\/p>\n\n\n\n

2025, Loop N\u00e9gyzet<\/em> shortlist, f|x|r gallery, M\u0171v\u00e9szetek H\u00e1za Veszpr\u00e9m<\/p>\n\n\n\n

2025, 70. Orsz\u00e1gos F\u00fcggetlen Film Fesztiv\u00e1l<\/em> competition program, MAFSZ, Duna\u00fajv\u00e1ros <\/p>\n\n\n\n

2025, ALC VideoArt Festival<\/em>, Museum of Contemporary Art of Alicante (MACA) \/  Gravina Museum of Fine Arts (MUBAG), Spanyolorsz\u00e1g<\/p>\n\n\n\n

2025, Under Szubcult online<\/em>, 2025-09-19<\/p>\n\n\n\n

2025, II. Celluloidra Revolverrel K\u00eds\u00e9rleti Filmfesztiv\u00e1l<\/em>, Kaleidoszk\u00f3p H\u00e1z, Esztergom<\/p>\n\n\n\n

2025, rite x Cered<\/em>, Gallery 23, Cered<\/p>\n\n\n\n

2025, Liber Novus 2.0<\/em>, AR projekt, kur\u00e1tor: Xristina Sarli, N\u00e9metorsz\u00e1g, Berlin<\/p>\n\n\n\n

2025, Circle \/ K\u00f6r<\/em>, A Magyar Fot\u00f3m\u0171v\u00e9szek Sz\u00f6vets\u00e9g\u00e9nek csoportos tematikus ki\u00e1ll\u00edt\u00e1sa, JPM Csontv\u00e1ry M\u00fazeum, P\u00e9cs<\/p>\n\n\n\n

2025, Echoes: Memory<\/em>, Meno Parkas Gallery, Kaunas, Litv\u00e1nia<\/p>\n\n\n\n

2025, blanche the vidiot – Palik Eszter: NORMA<\/em>, ART9 Gallery, Budapest, Hungary<\/p>\n\n\n\n

2025, Celluloidra Revolverrel K\u00eds\u00e9rleti Filmfesztiv\u00e1l<\/em>, Apoll\u00f3 Mozi, P\u00e9cs<\/p>\n\n\n\n

2025, 44. Magyar Filmszemle <\/em>verseny kateg\u00f3ria (k\u00eds\u00e9rleti film), Corvin Mozi, Budapest<\/p>\n\n\n\n

2025, blanche the vidiot: mi a baj? – kiterjesztett verzi\u00f3<\/em>, Dobozi 21, Budapest<\/p>\n\n\n\n

2024\/2025, Tudatos M\u0171vek, RE\u00d6K, Szeged<\/p>\n\n\n\n

2024, The 1st International Anarchist Fireplace Film and Video Festival<\/em>, Dobozi21, Budapest<\/p>\n\n\n\n

2024, Melting Walls<\/em>, murmurcontemporary, Montreaux, Sv\u00e1jc<\/p>\n\n\n\n

2024, LEUDHERO \/ BINNAR 2024<\/em>, Casa-Museu Soledade Malvar, Vila Nova de Famalic\u00e3o, Portug\u00e1lia<\/p>\n\n\n\n

2024, Wunderkammer Cered<\/em>, Gallery \u201923, ArtComplex Cered, Cered<\/p>\n\n\n\n

2024, \/\u02c8k\u00e6n\u0259b\u026as\/<\/em>, TOP e.V , Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Nature Exposed<\/em>, Millepiani Gallery, Rome, Olaszorsz\u00e1g<\/p>\n\n\n\n

2024, RE_THINK<\/em>, Koniare\u0148 Gallery, Trebi\u0161ov, Szlov\u00e1kia<\/p>\n\n\n\n

2024, I. Hungarian Experimental Film Festival<\/em>, Kaleidoscope House, Esztergom, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, F\u0171szer Csemege feat. Jazzaj, MODEM, Debrecen, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, UH FEST 2024<\/em>, Turbina, Budapest, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, \u200dCelluloidra Revolverrel<\/em>, Experimental Film Festival and Conference, Kaleidoscope House, Esztergom, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, VJing for Kissz\u00e1nt\u00f3\u2019s and DJ K + Jazzszigor\u2019s performance<\/em>, F\u0171szer Csemege feat. Jazzaj, MODEM, Debrecen, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, VJing for Bolcs\u00f3-Gy\u00e1rf\u00e1s\u2019s and Ohno!\u2019s performance<\/em>, F\u0171szer Csemege feat. Jazzaj, MODEM, Debrecen, Magyarorsz\u00e1g<\/p>\n\n\n\n

2024, Technocene Digital<\/em> during Metallisches Fest<\/em>, <\/strong>Tempelhof Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Under Szubcult online<\/em>, 2024-06-15<\/p>\n\n\n\n

2024, Under Szubcult online<\/em>, 2023-05-18<\/p>\n\n\n\n

2024, Electrical Jungle<\/em>, Collegium Hungaricum, Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Filmetry \u201924, POETICS OF CINEMA, Michigan, USA<\/p>\n\n\n\n

2024, Nemb\u00e1j Fest Industrial \u00e9s Experimental Nemzetk\u00f6zi Tal\u00e1lkoz\u00f3<\/em>, H\u00e1rom Holl\u00f3, Budapest<\/p>\n\n\n\n

2024, Mellkas sz\u00fatra<\/em>, Made in Debrecen Festival, MODEM, Debrecen<\/p>\n\n\n\n

2024, StAnza On Screen<\/em>, Scotland\u2019s International Poetry Festival, Cupar, Sk\u00f3cia<\/p>\n\n\n\n

2024, SITES&ROO<\/em>TES, Galeria Neon ASP, Wroc\u0142aw, Lengyelorsz\u00e1g<\/p>\n\n\n\n

2024, ecoSYNTH: <\/em>from fungiverse to metaverse, Vorspiel \/ transmediale & CTM 2024, TOP e.V , Berlin, N\u00e9metorsz\u00e1g<\/p>\n\n\n\n

2024, Maybe Fake\u2019s What I Like!<\/em>, Wrong Biennale n\u00b06<\/p>\n\n\n\n

2023, Best of ArtColony Cered, <\/em>G18 Gallery, Zl\u00edn, Csehorsz\u00e1g<\/p>\n\n\n\n

2023, Alternative Film Video 2023<\/em>, \u00dajbelgr\u00e1d, Szerbia <\/p>\n\n\n\n

2023 Miami New Media Festival<\/em>, XVIII Edition, Global Healing<\/em>, Miami, USA <\/p>\n\n\n\n

2023\/2024, ANIMA Pavilion, W<\/em>rong Biennale n\u00b06, 2023\/2024, C\u00fa R\u00fa Space, \u0110\u00e0 L\u1ea1t, Vietn\u00e1m <\/p>\n\n\n\n

2023\/2024, Sensory Disconnection Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Black Holes Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Adam Meets Eve Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Metatopia \u2013 Espa\u00e7os H\u00edbridos pavilion<\/em>, Aisthesis Lab, Wrong Biennale n\u00b06, <\/p>\n\n\n\n

2023\/2024, Sirena Pavilion<\/em>, Wrong Biennale n\u00b06, #DUMPHAUS, Tokyo, Jap\u00e1n <\/p>\n\n\n\n

2023\/2024, soro soro Pavilion<\/em>, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023\/2024, Net art died but is doing well Pavilion<\/em>, Wrong Biennale n\u00b06, <\/p>\n\n\n\n

2023\/2024, VerbicovoVirtual P<\/em>avilion, Wrong Biennale n\u00b06 <\/p>\n\n\n\n

2023, Ceredi Kort\u00e1rs Nemzetk\u00f6zi M\u0171v\u00e9sztelep \u00e9s k\u00f6re<\/em>, \u00dajM\u0171hely Gal\u00e9ria, Szentendre<\/p>\n\n\n\n

2023 T\u00f3th Kinga: AnnaMaria sings\/singt\/\u00e9nekel \u2013 k\u00f6tetbemutat\u00f3<\/em>, MODEM, MadgaFeszt, Debrecen <\/p>\n\n\n\n

2023, Tabu<\/em>, ArtColony Cered, Cered<\/p>\n\n\n\n

2023, F\u00fcrjesi Csaba: Agap\u00e9<\/em>, Salzburger Kunstverein, Salzburg, Ausztria<\/p>\n\n\n\n

2023, \u2018Ahogy a n\u0151k sz\u00f3lnak<\/em>\u2018, Kass\u00e1k Kort\u00e1rs M\u0171v\u00e9szeti d\u00edj, finalista projekt T\u00f3th King\u00e1val \u00e9s Silvia Rosanival, Kass\u00e1k M\u00fazeum, Budapest<\/p>\n\n\n\n

2023, Mister Vorky Film Festival<\/em>, Ruma, Szerbia<\/p>\n\n\n\n

2023, Vacations in the Subconscious<\/em>, Torrance Art Museum\/Alphabet Art Centre, Los Angeles\/Cologne<\/p>\n\n\n\n

2023, Cadence Video Poetry Festival<\/em>, Northwest Film Forum, USA, Washington, Seattle <\/p>\n\n\n\n

2023, noise vegetation<\/em>, Made in Debrecen Fesztiv\u00e1l, Debrecen<\/p>\n\n\n\n

2023, Adapt\u00e9r x B\u00e1nkit\u00f3 | KI\u00c1LL\u00cdT\u00c1S<\/em>, Adapt\u00e9r, Budapest<\/p>\n\n\n\n

2023, Pannonia Reflections, Gallery museum Lendava, Szlov\u00e9nia<\/p>\n\n\n\n

2023, Under Szubcult online<\/em>, 2023-03-11<\/p>\n\n\n\n

2023, Zerbrechlichkeit<\/em>, ProArtiSt Productions, Vreden, Germany<\/p>\n\n\n\n

2023, Art NFT Biennial, „The Catharsis of a Strange Prophecy”<\/em>, Anamnesis and Ouroboros Pavillion, Isztambul (Zorlu PSM), Berlin, New York, Amszterdam, P\u00e1rizs, London, Bogota, Ichinomiya (Japan), Br\u00fcsszel<\/p>\n\n\n\n

2023, Under Szubcult online<\/em>, 2023-01-28<\/p>\n\n\n\n

2023, V\u00cdZALATT\u00c9NEKELNI \/ SINGINGUNDERWATER, \u00c1tl\u00e1tsz\u00f3 Hang Fesztiv\u00e1l 2023<\/em>, Budapest<\/p>\n\n\n\n

2022, Saigon Experimental Film Festival IV., ” Mama told me I’m experimental”<\/em>, Vietn\u00e1m<\/p>\n\n\n\n

2022, \u2019Electrical jungles\u2019 <\/em>project with Kinga T\u00f3th and Silvia Rosani (Hannsmann\u2010Poethen\u2010Stipendium 2022), Theater Rampe<\/p>\n\n\n\n

2022, Under Szubcult online<\/em>, 2022-11-26<\/p>\n\n\n\n

2022, Leap Off Page, Veliko Tarnovo, Bulg\u00e1ria<\/p>\n\n\n\n

2022, ZEBRA Poetry Film Festival, Kulturbrauerei Berlin<\/em>, N\u00e9metorsz\u00e1g, Berlin<\/p>\n\n\n\n

2022, Civility Vs. Violence<\/em>, Miami New Media Festival, ArtToSaveLives Contemporary, USA, Miami<\/p>\n\n\n\n

2022, T\u00e1jm\u0171v\u00e9szet – Hagyj kreat\u00edv l\u00e1bnyomot!,<\/em> Budatower Gal\u00e9ria, Budapest, Hungary<\/p>\n\n\n\n

2022, Under Szubcult online<\/em>, 2022-10-22<\/p>\n\n\n\n

2022, View From the Anthropocene Conference<\/em>, Institute of English and American Studies, University Debrecen, Debrecen<\/p>\n\n\n\n

2022, 06. Magyar Klipszemle<\/em>, Aquarium Club, Budapest<\/p>\n\n\n\n

2022, Light Year 90: ULTRA SHORTS and NFTs<\/em>, Leo Kuelbs Collection, New York-Toronto-Berlin<\/p>\n\n\n\n

2022, Szigligeti \u00d6sszm\u0171v\u00e9szeti Szimp\u00f3zium<\/em>, Szigligeti Alkot\u00f3h\u00e1z, MANK Nonprofit Kft.<\/p>\n\n\n\n

2022, Art Colony. Cered 25+2<\/em>, Gal\u00e9ra FX, Szlov\u00e1kia, Beszterceb\u00e1nya<\/p>\n\n\n\n

2022, SOUNDTEXT. Some Currents of Contemporary Poetry<\/em>, \u0160kuc Gallery, Szlov\u00e9nia, Ljubljana<\/p>\n\n\n\n

2022, Under Szubcult online<\/em>, 2022-09-03<\/p>\n\n\n\n

2022, Grote<\/em>szk, ArtPiknik Cered 3.0, ArtColony Cered, Cered<\/p>\n\n\n\n

2022 URBANSONICS<\/em>, www.coldbench.com<\/p>\n\n\n\n

2022, Gyaloghaddal a csillag-lejt\u0151n<\/em>, M\u00fazeumok \u00e9jszak\u00e1ja, Kass\u00e1k M\u00fazeum, Budapest<\/p>\n\n\n\n

2022, The shadow<\/em>, KromArt@PH21 Gal\u00e9ria, Budapest<\/p>\n\n\n\n

2021-22, ESSENCE \/ ABSENCE<\/em>, [ Pavillion of The Wrong Biennale n\u00b05]<\/p>\n\n\n\n

2022, „We Are Joseph Beuys”, CON-TEMPORARY Art Observatorium, Lavagna, Olaszorsz\u00e1g<\/p>\n\n\n\n

2022, Metropolis – hangbesz\u00e9dek,<\/em> Aur\u00f3ra, Budapest<\/p>\n\n\n\n

2022, Freedom for free<\/em>, Millepiani Gallery, R\u00f3ma, Olaszorsz\u00e1g<\/p>\n\n\n\n

2021, K.A.S. Gal\u00e9ria, Akv\u00e1rium<\/em>, NKA K\u00e9pz\u0151m\u0171v\u00e9szet Koll\u00e9gium \u00e1ltal t\u00e1mogatott projekt (Freund \u00c9va \u00e9s P\u00e9ter Szabina multim\u00e9di\u00e1s helyspecifikus install\u00e1ci\u00f3)<\/p>\n\n\n\n

2021, INTER<\/em>–CERED<\/em>, Cered-Budapest-Vars\u00f3, Art Salon Contemporary, Budapest<\/p>\n\n\n\n

2021, Tune in to Green short film series<\/em>, Diorama Room, LLC, Texas<\/p>\n\n\n\n

2021, Folklore and traditions<\/em>, Millepiani Gallery, R\u00f3ma, Olaszorsz\u00e1g<\/p>\n\n\n\n

2021, 05. Magyar Klipszemle<\/em>, Aquarium Club, Budapest<\/p>\n\n\n\n

2021, Re-connect Art festival<\/em>, Prague Biennale Projekt, Pr\u00e1ga, Csehorsz\u00e1g<\/p>\n\n\n\n

2021, Hang\u00e1r<\/em>, ArtPiknik 2.0 Cered, ArtColony Cered, Cered<\/p>\n\n\n\n

2021, Route<\/em>, BINNAR art festival, Casa-Museu Soledade Malvar, Vila Nova de Famalic\u00e3o,
Portug\u00e1lia<\/p>\n\n\n\n

2021, 9th International Video Poetry Festival, Ath\u00e9n, G\u00f6r\u00f6gorsz\u00e1g<\/p>\n\n\n\n

2021, \u00c1rad\u00e1s<\/em>, MET Gal\u00e9ria, Budapest<\/p>\n\n\n\n

2021, \u00cdRMAG\/OFFSPRING<\/em> \u2013 T\u00f3th Kinga install\u00e1ci\u00f3ja, Sz\u00e9chenyi utca, Debrecen<\/p>\n\n\n\n

2021, Alkalmi Orat\u00f3rium \u2013 e-mail art projekt, Cered Nemzetk\u00f6zi Kort\u00e1rs M\u0171v\u00e9sztelep ki\u00e1ll\u00edt\u00e1sa<\/p>\n\n\n\n

2021, START, Magyarorsz\u00e1gi Alkot\u00f3telepek \u00e9s Symposionok T\u00e1rsas\u00e1ga, Kort\u00e1rs M\u0171v\u00e9szeti T\u00e9r<\/p>\n\n\n\n

2020, Waste to create, Eco Aware Art Gallery, India<\/p>\n\n\n\n

2020, VTS & ARTCOLONY CERED: SLOW ART, Galleria K \u2013 Galleri K, Helsinki- Vantaa, Finnorsz\u00e1g<\/p>\n\n\n\n

2020 eco media art, DIG gallery, Kassa, Szlov\u00e1kia<\/p>\n\n\n\n

2020 eco media art: when work of art is something inbetween, ArtColony Cered, Cered<\/p>\n\n\n\n

2020 \u00c9let \u2013 Jelek, MANK Gal\u00e9ria, Szentendre<\/p>\n\n\n\n

2019 Mened\u00e9k, XIII. Nemzetk\u00f6zi Velencei-tavi term\u00e9szetm\u0171v\u00e9szeti Symposion ki\u00e1ll\u00edt\u00e1sa, Velence<\/p>\n\n\n\n

2019 Ceredi Anzix, Cered Nemzetk\u00f6zi Kort\u00e1rs M\u0171v\u00e9sztelep ki\u00e1ll\u00edt\u00e1sa, Cered<\/p>\n\n\n\n

2019 Slow Art, International Artist Symposium Cered-Vantaa, Artist House Gjutars, Vantaa (Helsinki), Finnorsz\u00e1g<\/p>\n\n\n\n

2018 K\u00f6rk\u00e9p, MET Gal\u00e9ria, Budapest<\/p>\n\n\n\n

2018 II. Rug Art Fest, B\u00e1lna, Budapest<\/p>\n\n\n\n

2018 kor\/age, Kortalan Tudom\u00e1ny Konferenci\u00e1hoz (Art of Ageing) ki\u00e1ll\u00edt\u00e1shoz kapcsol\u00f3d\u00f3 ki\u00e1ll\u00edt\u00e1s, N\u00e1dor Gal\u00e9ria, Art + Med, P\u00e9cs<\/p>\n\n\n\n

2018 Ny\u00e1ri konyha, Cered Nemzetk\u00f6zi Kort\u00e1rs M\u0171v\u00e9sztelep ki\u00e1ll\u00edt\u00e1sa, Cered<\/p>\n\n\n\n

2018 Samsara Festival Europe, Si\u00f3fok (T\u00f6reki)<\/p>\n\n\n\n

2018 T\u00c9R, V\u00f6r\u00f6s- \u00e9s K\u00e9k K\u00e1polna, Balatonbogl\u00e1r<\/p>\n\n\n\n

2018 Szepar\u00e1lt terek, Dornyai B\u00e9la M\u00fazeum, Salg\u00f3tarj\u00e1n<\/p>\n\n\n\n

2017 Szepar\u00e1lt terek, Ceredi Kort\u00e1rs T\u00e1jh\u00e1z, Cered<\/p>\n\n\n\n

2017 <\/em>Jutalomj\u00e1t\u00e9k \u2013 25 \u00e9v Symposion, M\u0171csarnok, Budapest<\/p>\n\n\n\n

2016 VIII. Egyetemi K\u00e9pz\u0151m\u0171v\u00e9szeti T\u00e1rlat, Debreceni Egyetem \u00c9lettudom\u00e1nyi Gal\u00e9ria<\/p>\n\n\n\n

2016 X. Nemzetk\u00f6zi Velencei-tavi term\u00e9szetm\u0171v\u00e9szeti Symposion ki\u00e1ll\u00edt\u00e1sa, Velence<\/p>\n\n\n\n

2016 T\u00f6k\u00e9letes k\u00f6r, Nagyerdei V\u00edztorony, Debrecen<\/p>\n\n\n\n

2015 Cseh Tam\u00e1s Nap K\u0151b\u00e1ny\u00e1n, K\u0151r\u00f6si Csoma S\u00e1ndor K\u0151b\u00e1nyai Kultur\u00e1lis K\u00f6zpont, Budapest<\/p>\n\n\n\n

2014 ARC, 56-osok tere, Budapest<\/p>\n\n\n\n

2013 Feminin \u2013 Maszkulin, Modem- M\u0171terem Gal\u00e9ria, Debrecen<\/p>\n\n\n\n

2013 DE-BTK Filoz\u00f3fus Szakh\u00e9t m\u0171v\u00e9szeti ki\u00e1ll\u00edt\u00e1sa, Lilla B\u00e1r, Debrecen<\/p>\n\n\n\n

2013 ARC, 56-osok tere, Budapest<\/p>\n\n\n\n

2011 A Bizotts\u00e1g a M\u0171csarnokba megy, M\u0171csarnok, Men\u00fcPont Gal\u00e9ria, Budapest<\/p>\n","protected":false},"excerpt":{"rendered":"

1987-ben sz\u00fcletett \u00d3zdon, audiovizu\u00e1lis m\u0171v\u00e9sz, fotogr\u00e1fus, eszt\u00e9ta. Jelenleg els\u0151sorban a multim\u00e9dia, az install\u00e1ci\u00f3s, fot\u00f3- \u00e9s vide\u00f3m\u0171v\u00e9szet, valamint az elektronikus zene ter\u00fclet\u00e9n alkot. 2020 \u00f3ta a blanche the vidiot \u00e9s a dj goodbye tagja. blanche the vidiot https:\/\/project-blanche.com\/ dj goodbye https:\/\/on.soundcloud.com\/BAoLm akad\u00e9miai tev\u00e9kenys\u00e9g https:\/\/independent.academia.edu\/SzabinaP%C3%A9ter Tags\u00e1g: 2025, Magyar Fot\u00f3m\u0171v\u00e9szek Sz\u00f6vets\u00e9ge 2025, Magyar Filmm\u0171v\u00e9szek Sz\u00f6vets\u00e9ge D\u00edj: 2025, 44. Magyar Filmszemle, k\u00eds\u00e9rleti filmes […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/pages\/27","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":79,"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":3719,"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/pages\/27\/revisions\/3719"}],"wp:attachment":[{"href":"https:\/\/peterszabina.com\/hu\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}